Will Peter Gabriel’s sixth Full Moon release, “Road to Joy,” finally satisfy the Tabletoppers’ need for a fun, funky track? Plus, they discuss two early ’70s Genesis performances that have long been available in low quality versions, but were recently uploaded by The Midnight Special in pristine quality.
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The Tabletop discusses “Four Kinds of Horses,” the fifth Full Moon release, and the last one before Peter Gabriel’s long-awaited i/o tour begins on May 18!
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The Tabletop discusses the title track from Peter Gabriel’s upcoming album i/o, and weighs in on Ghost’s cover of “Jesus He Knows Me.”
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Peter Gabriel’s third Full Moon release from i/o, “Playing for Time,” features the piano prominently, so the Tabletop enlists Genesis Piano Project’s Adam Kromelow to help them break it down.
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Why, no one could EVER talk for two hours about Mike Rutherford’s second solo album, “Acting Very Strange,” could they? To that, the Tabletop says, “Hold our beers, Maxine!” Simon Godfrey (Tribe of Names) and Rutherford aficionado Katherine Stratton join Mike and Tom for a lively discussion about this infamous record.
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“The Court” is in session as the Tabletop gives its verdict on Peter Gabriel’s latest Full Moon release. Plus, they play “Point/Counterpoint” on the topic of remixes.
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The Tabletop discusses Phil Collins’ second solo album; all the anger, heartache, and even a bit of creepiness, that is 1982’s “Hello, I Must Be Going!”
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The Tabletop begins 2023 with a review of Peter Gabriel’s new track, “Panopticom,” from his upcoming album i/o, and gives a preview of what topics they’ll be covering this year.
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