The tarot cards have been spread out and the reading predicts an episode dedicated to the first solo album by a Genesis member: Steve Hackett’s 1975 debut effort, “Voyage of the Acolyte.” Is this the “lost Genesis album” as some have claimed? The Tabletop weighs in …
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“Like the story that we wish was never ending, we know sometime we must reach that final page …” Phil Collins’ last studio album with Genesis, 1991’s “We Can’t Dance,” is discussed by the members of the Tabletop, as they try to keep a jovial mood amid such topics as abusive fathers, shady TV preachers, the hazards of railway construction, and worst of all – the inability to dance.
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If imitation is the sincerest form of flattery, then fewer bands could be more flattered than Genesis, given the myriad of tribute bands and recreation projects that pay homage to their music. The Tabletop shares its take on this aspect of Genesis culture, and interview members of four diverse tribute acts; Adam Kromelow from the Genesis Piano Project; Heliopolis keyboardist Matt Brown from Los Angeles-based Cinema Show and Gabble Ratchet; Mike Morton and Howard Boder from England’s The Book of Genesis; and Joe Trainor from the Keep It Dark project.
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The Tabletop members have their air drums ready as they tackle Phil Collins’ debut solo album, “Face Value,” and one of the most iconic drum fills in history. Plus, there’s not a dry eye around the table as the group delves into the melancholy world that is the Phil Collins love song.
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