Peter Gabriel’s third Full Moon release from i/o, “Playing for Time,” features the piano prominently, so the Tabletop enlists Genesis Piano Project’s Adam Kromelow to help them break it down.
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Why, no one could EVER talk for two hours about Mike Rutherford’s second solo album, “Acting Very Strange,” could they? To that, the Tabletop says, “Hold our beers, Maxine!” Simon Godfrey (Tribe of Names) and Rutherford aficionado Katherine Stratton join Mike and Tom for a lively discussion about this infamous record.
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“The Court” is in session as the Tabletop gives its verdict on Peter Gabriel’s latest Full Moon release. Plus, they play “Point/Counterpoint” on the topic of remixes.
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The Tabletop discusses Phil Collins’ second solo album; all the anger, heartache, and even a bit of creepiness, that is 1982’s “Hello, I Must Be Going!”
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The Tabletop begins 2023 with a review of Peter Gabriel’s new track, “Panopticom,” from his upcoming album i/o, and gives a preview of what topics they’ll be covering this year.
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While the Tabletop briefly mentioned this seminal live album on their premier episode covering “Abacab,” we never gave it its proper due. And since we DID discuss the fourth side’s studio tracks during our B-sides roundup of “Abacab” and “Duke,” we’re going to focus our discussion on the UK version that featured a fourth live side. Vote for your favorite track below!
There’s plenty of “dancing on the tabletop” as we discuss Peter Gabriel’s fourth solo album. Adam Kromelow from the Genesis Piano Project brings his musical expertise (aka, nerdiness) to help breakdown the genius of these eight tracks, which turn–SHOCK!–40 years old this year!
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