“The Court” is in session as the Tabletop gives its verdict on Peter Gabriel’s latest Full Moon release. Plus, they play “Point/Counterpoint” on the topic of remixes.
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The Tabletop discusses Phil Collins’ second solo album; all the anger, heartache, and even a bit of creepiness, that is 1982’s “Hello, I Must Be Going!”
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The Tabletop begins 2023 with a review of Peter Gabriel’s new track, “Panopticom,” from his upcoming album i/o, and gives a preview of what topics they’ll be covering this year.
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While the Tabletop briefly mentioned this seminal live album on their premier episode covering “Abacab,” we never gave it its proper due. And since we DID discuss the fourth side’s studio tracks during our B-sides roundup of “Abacab” and “Duke,” we’re going to focus our discussion on the UK version that featured a fourth live side. Vote for your favorite track below!
There’s plenty of “dancing on the tabletop” as we discuss Peter Gabriel’s fourth solo album. Adam Kromelow from the Genesis Piano Project brings his musical expertise (aka, nerdiness) to help breakdown the genius of these eight tracks, which turn–SHOCK!–40 years old this year!
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When Tabletoppers Mike and Tom were guests on Al Melchior’s “You, Me, and an Album” podcast, they discussed the highs and (swing) lows of Phil Collins’ 2002 release, “Testify.” What did they think? Don’t get them started!
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It’s been a long, long time … seven years and fifty episodes, to be exact! The Tabletop celebrates by turning over the show to you, the listener! You asked, we’ve done our best to answer!
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The Tabletop reflects on what most likely were the last Genesis shows ever on American soil (the soil, the soil, the soil!). Former Tabletoppers Stacy and Simon Godfrey join the discussion to share their thoughts on the concert, the state of the band, the stage setup, setlist favorites, and more.
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The fights! The jealousy! The rivalries! The Reelz Channel turned up the drama to 11 in their recent entertaining special, “Breaking the Band: Genesis.” Former Tabletopper Stacy Godfrey shares her experience being a “talking head” for the program, and we hear behind-the-scenes tales from director Samuel Bates.
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