Tabletop Genesis Episode 19 – “The Album Covers”

From the “how much more black could it be?” cover of From Genesis to Revelation to the ectoplasmic font of Calling All Stations, the members of the Tabletop put their spin on the album artwork of Genesis. Plus, we’re counting down the Top 10 Genesis Album Covers as chosen by you, the listeners! [Note: the giveaway mentioned in the episode has now ended]

genesis covers

7 thoughts on “Tabletop Genesis Episode 19 – “The Album Covers”

  • January 28, 2017 at 9:34 am
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    I adore ATTW3 and Invisible Touch. The former is dark and moody and fits the music perfectly. IT’s cover refers to the title song but it’s also slightly abstract. Plus it too was textured inviting you to touch it.

    Enjoyed the show as always despite you folks being wrong. πŸ˜‰

    Reply
    • Tabletop Genesis
      January 28, 2017 at 10:03 am
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      That’s why we keep going – eventually we’ll be right. πŸ˜‰ Hey, even a stopped clock is right twice a day. LOL

      Reply
  • February 2, 2017 at 9:38 pm
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    One thing you never mentioned about the Trick of the Tale and Wind & Wuthering album covers was, and this may have been just an UK thing or you may never have seen the originals, but both my covers of these albums purchased in the 70s, were embossed with a ripply bubble effect. They were not smooth which added to their effect. You dont get that with cds or tapes

    Reply
    • Tabletop Genesis
      February 3, 2017 at 3:28 pm
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      True – perhaps it was a UK thing. The album copy of Trick that we were looking at during the recording did have some next texture all through out – but obviously you couldn’t see us rubbing it affectionately during the podcast. πŸ˜‰

      Reply
  • March 7, 2017 at 6:57 pm
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    I agree with the top three without doubt. I’m surprised that none of the podcast presenters chose them. I’m disappointed that The Lamb got so well rated as it was such a departure from Genesis’ Englishness.

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    • March 28, 2024 at 11:11 am
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      The Lamb is not only the best Genesis album but also the best album cover. Despite the American setting and cultural references, it is still very much a British band making a British prog rock record. I’m not sure why you’d be disappointed by somebody not hating it simply because it’s less overtly British than the prior, less timeless albums.

      Reply
  • March 28, 2024 at 11:12 am
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    Love you guys and the podcast to death, but as an art student and album cover enthusiast, this one hurt to listen to… lol.

    Reply

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